Antigone, Tragedy and Law versus Desire according to Lacant

Tragedy Developed in the 5th century. Aristotle said of it that it was cathartic. We feel relief at this self-analysis. In tragedy Aristotle believed that the Plot is nearly important, followed by Character, followed by Thought, and eventually by Language, Melody and Spectacle. They clarify us ethically. The conflict in tragedy produces character and economic consumption of moral choice, through scathe and pathos. Antigone Plot Antigone is the sidekick of Polynites, the child of Ismene and is engaged to master Creons son Haemon. Polynites is regarded as a betrayer and is therefore not allowed by Lord Creon to be by rights buried which enrages Antigone. She is caught trying to bury her associate and as a result is sealed up vital in a cave. Antigone- Struck by fate, I descend existent to the caverns of the dead. Lord Creons stopping point leads to unrest in the city and Tiresias, a cunning prophet, predicts the raft will rise. Creon ignores and banishes him. Creon then changes his mind and goes to the cave only finds her respite from a rope. Haemon, who at first goes along with his fathers decision, to a happy chance rebels and tries to save Antigone but also arrives too late. When Creon finds them in the cave, Haemon tries to scratch out him with his sword but misses and then kills himself.

Eurydice, Creons wife, kills herself when she hears the news. Creon is left in discouragement Oh the agony, the heartbreaking agonies of our lives. I am no-one, nothing. Lacants Reading The play is about fair play versus desire. Antigones desire, accord to Lacant, visibly eminat es from the eyes of this admirable girl. Whe! n Antigone makes the decision to bury her brother she locomote outside Lacants symbolic site of the natural law and into the law of her consume desire. Lacant says of Antigone... If you want to get a full essay, order it on our website: BestEssayCheap.com

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